Upcoming Exhibition

Awaiting: New Works by Wang Tiande

26 Mar - 05 May  |  2018
Wang Tiande
Opening Reception  |  26 March 2018, 6-8pm  |  Central Gallery
In the presence of the artist

30 March, Thursday
Art Brunch 9am-12pm Mimosa brunch with
Artist Talk by Wang Tiande 11am-12pm

Alisan Fine Arts is proud to present a solo exhibition of internationally acclaimed Chinese artist, Wang Tiande. This will be the fourth solo exhibition the gallery has organised for him since 2003. Known for his landscape and calligraphic incense paintings, Wang has been using incense sticks in lieu of brushes to "paint" for more than 15 years. His paintings are made up of two layers of rice paper. He uses incense sticks to create burn marks on the first layer of rice paper and paints on the second layer of rice paper with Chinese ink, thus transforming paintings of traditional landscapes and calligraphy into a contemporary artwork. With each new series of work, he has invigorated and added new dimensions to classical landscape paintings.

"Wang's work fascinate and resonate with a global audience with or without deep knowledge of Chinese art ... Wang provides a refreshing alternative to the hauntingly persistent effort of 'advancing' Chinese art through belabored fusion of Chinese and Western styles."
- Prof Josh Yiu, Director of Art Museum, Chinese University of Hong Kong,
and Curator of "Over Mountains and Across Valleys", Guangdong Museum of Art, China, 2017

Well versed in traditional Chinese art and culture, Wang continuously searches for possibilities in the realm of ink art and presents novel ideas in every exhibition. In his earlier works, he created burn marks on Chinese clothing, and more recently, incorporated steal rubbings in his paintings. With this exhibition, he has attached classical works of calligraphy, many from his own collection, to his ink paintings. This ancient text does not serve as a decorative purpose nor is it attempting to explain or describe the paintings instead Wang is trying to connect himself with the ancient sages and to pay homage to those ancient masters. Roughly 20 new works, mostly created specifically for this exhibition will be on display, the exception being Hou Shan Series – Calligraphy by Chen Jiru “I-Ching”, which was exhibited in Wang's solo exhibition "Over Mountains and Across Valleys" at Guangdong Museum of Art in 2017.

Wang Tiande was born in Shanghai in 1960 and studied at the College of Art in Shanghai in 1981, before pursuing further studies at the China Academy of Art in Hangzhou. After graduating in 1988 with a degree in traditional Chinese painting, he went on to obtain a PhD in calligraphy in 2014 from the same academy. He first gained international recognition when his work, Ink Banquet, produced in 1996, was exhibited as part of Inside Out: New Chinese Art, a travelling exhibition that started at PS1 Contemporary Art Center, New York; then San Francisco Museum of Modern Art; Tacoma Art Museum and Henry Art Gallery, Seattle; Museo de Arte Contemporaneo, Monterrey, Mexico; Canberra National Art Museum, Australia; and ended at the Hong Kong Museum of Art. The show was curated by Gao Minglu, a well -known contemporary Chinese art critic, curator, and scholar. Ink Banquet was subsequently collected by the Hong Kong Museum of Art.

Wang has participated in many important international exhibitions including two group exhibitions at the Metropolitan Museum of Art in New York, the first one being Brush and Ink: The Chinese Art of Writing in 2006, and the seminal exhibition Ink Art: Past as Present in Contemporary China in 2014. He had a solo exhibition in Suzhou Museum of Art in 2014, in the Forbidden City in 2015 and more recently Over Mountains and Across Valleys at the Guangdong Museum of Art in 2017, to name a few. His works have been collected by the British Museum, London; Metropolitan Museum of Art, New York; Museum of Fine Arts, Boston; Berkeley Art Museum, California; Spencer Museum of Art, Kansas University; Montreal Museum of Fine Arts; Shanghai Art Museum; Shenzhen Art Museum; Guangdong Museum of Art; Chinese Painting Research Institute, Zhong Nan Hai, Beijing; Hong Kong Museum of Art, to name a few.